Illustration by Taya Welter Ella Ion ’s music has many temperaments.  Honeyed melodies can collide with thunderous guitar riffs, only to give way once more to her silk-smooth vocals as a song evolves .  The Australia-based singer-songwriter channels several of alternative music’s deeper undercurrents: Elliott Smith ’s bruised sentimentality, flashes of dissonant rock, and an almost Interpol -like darkness in  Waiting , her debut album, where the drums seem to brood beneath th

Photo credit: Gabriella Mulisano x Illustration: Taya Welter There are some melodies that stand the test of time and o utgrow their creators almost instantly.   Will Paquin ’s “ Chandelier ” is one of those. The second it begins,  you’re pulled back into a time when you first heard it, a flash of recognition. It can be best described as something bright rising up, finding a way back into your consciousness from a pool of half-forgotten memories.  It’s the kind of song that

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